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that rochester institute of technology high-tech institution weather was one in
larger in the dark green
so what i would do i take my piece of toilet paper you know i make a little
drawings where they had was gonna fall for this thing
codebase ever-present and drives like mine
hand
then i think that and i had a markets on the west side went in
salesmen and windfall press
down down down down what might be the foreground
get my drawing out trying to line up
and then and now a prom awesomeness and nine times out of ten intel at this way
implements that way
i work that way for that every day
maybe six months
and i and i was in the university darpan here which had
enlarged so i have the pens washing the loads raise that means spinner type
washes there
one-day actor and you don't know what you think on issues that they were going
to be addressed
and one thing i think that there were tears
insomniac
once i had a large areas
to the negatives and a very large urs
if they want to have a job i wouldn't be so i can market is there was a hand
exposures i didn't have to keep changing negatives in exposures
i mean they're staying with which i could explore
increase the hundred fall
there was a major breakthrough at the time
he pecans
such an incredible craftsman technique
many of them were very simple negative sandwiches and salads with no big deal
to do that
it's a big deal
to decide to do it
and then secondarily doing so well
that it doesn't become obvious but it becomes part of the entire visual
experience
this is the trend that we're going to create today in the dark brown
involves five ever negative
the sky is one negative of the clouds this rocky for round with the mountain
is a second negative
the silhouetted figure transparent figure is a third negative
the faith she ran the rock and ended in rock
is a forest native
this chair is actually
traded like this in a daily basis to try and pieces of black paper put in march
here to create that strike
let's take a piece of paper
this is now training the former
and i've got it so that i can control the contracts signed making this a
little more contracts from
and what i'm gonna do those of you who don't know about the drug real hard to
understand
and i don't know the rob white light again darkened therefore around so that
for around i want to be darkened
and now i don't think this is just fine there
it doesn't require any dancing so once i guess
that and this is all
it's just a matter of letting it print and i also have it at a higher contrast
and it's a little longer exposure novel exposures are
chartered
this harassment transparent figure and
and there's something very short exposure
where you can see that figure
and then this
is
to figure being embedded on the rock and this is also very sherry exposure
sometimes the what you say real good
and then theirs
is that she ra
list and
olwein off i'd like to keep it light at one end so this doesn't barbarity
so i want to keep it
darker appear this is just getting more light to the top the list in the bond
sell it
so if there's anything else
that i wanted to do i get back
now of the most magical part of the processes when you put this into the
belapur
it helps if you talk to us
should go two minutes
there's a bucket sugar on mars sometimes the first time you see this your heart
for life
i still think it's magic after all these years watching this thing come up in the
developer says amazing to me
and i've been doing that for over sixty years so
the end of this point rally
you're focused on
new i like this image what else can i do i'd actually get a bunch of variations
but this is the version
that i'm happiest with
and after working on this image for almost a week i came up with a title but
site call uh... the for gotten thomas
you do have a lot of controls a lot more than people realize
and terms of increasing the contrast of an image
are decreasing the contrast by jesuit light making things a lot darker at why
i didn't want the ivy league pulled off in the foreground want to keep it dark
here
boasted of rocks and get the sense of justice
in the background
there's this dialogue ongoing dialogue with those materials is because of those
images
jerker
you don't
have to complete c_n_n_'s instantaneously
and you can now so there's nothing wrong with that
but there is this ongoing process that is the dominant way of working with all
the other art no one else gets that incident picture of the instance
cultural realize that there is a time frame here where there is this
renegotiation of the means
do you think about it and said
and every time we said photography reset licensed materials that's a whole
different concept and when
you know it's like
you've got this thing and if you've got to my hand in afire cylindrical
even-handedness
this is world using to create the sand